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USA; Justin Kreutzmann; Review Break On Thru: A Celebration of Ray Manzarek and The Doors is a concert documentary from a 2016 all-star performance in Los Angeles that John Densmore and Robby Krieger, the two surviving members of The Doors, developed to celebrate what would have been Manzarek's 70th birthday. As well as the all star concert there's never before seen footage from The Doors archives and new Interviews from Densmore and Krieger. It's a one of a kind documentary about a very special person and a legendary rock band; 67minute.

Home Features The spirit of The Doors may have died that fateful day in July 1971 when Jim Morrison was found dead in his bathtub in Paris, but the band’s heart and soul kept beating until May 2013 when founder member Ray Manzarek passed away. From their formation in 1965 until the day he died, Manzarek spoke passionately and eloquently about The Doors and Jim Morrison, the man he referred to as Dionysus to his Apollo. In 2006 I spoke to him about his friend, and his band. Shortly after they met at UCLA film school, Manzarek invited Morrison to move in with him and his girlfriend Dorothy. “The three of us lived together in the same apartment overlooking the roofs and palm trees of Venice, and we planned this whole assault on American consciousness. And it happened. It happened the way we planned it, ” he recalled. “The tragedy, of course, was that Jim Morrison died. Because at the time we were first getting it together, he said: ‘Man, I want the rock’n’roll lifestyle. ’ I said: ‘I’ve been playing in bars and clubs for a long time and I don’t really care about the lifestyle. I want to make the music. I want to get on the road and play to big audiences and put a lot of money in the bank. ’ And he said: ‘Ah, I don’t care about the money. I just want the lifestyle. ’ I said: ‘Hopefully we’ll have both, man. ’” Manzarek and Morrison’s shared passion for films led them to hire Paul Ferrara, their friend and fellow student at UCLA film school, to follow The Doors around on their 1968 tour with a camera crew. More than 45 years later, the resulting Feast Of Friends DVD is finally set for release. For Manzarek, his period at film school came at a fortuitous time. “Dorothy and I and Jim were there for the great explosion of the art of the cinema. We were there for Ingmar Bergman’s films, Kurosawa, Satyajit Ray from India, François Truffaut. What a time. We were seeing all this stuff brand new. So we were in heaven. And we were smoking marijuana so we were doubly in heaven. And then we took LSD, so we knew then we were God. That was UCLA film school. ” Even in the face of Morrison’s self-destructive behaviour and catalogue of wilfully provocative acts that sabotaged The Doors, Manzarek was always Morrison’s most loyal defender. “Once he started drinking, something clicked. It’s like Cat On A Hot Tin Roof: the cat’s husband, played by Paul Newman, was telling his father why he drank so much. He couldn’t click that switch any more, but when he first started drinking, you’d click that switch and everything would just be coming up roses. Everything would be sunshine and lollipops and girls and fun. So I think that’s what happened to Jim. I think that once he started to drink, it just made that click because of his genetic make-up, and he became free of all of the restraints of everything and all the pressures of being in rock’n’roll. He was just free. And then as it got to the end, maybe it wasn’t clicking the same way. When he was in Paris it didn’t make that click. He just kept drinking and it did him in. It killed him. ” When asked how much he missed his friend, Manzarek says: “Every day, virtually. ” In_ Light My Fire_, Manzarek’s autobiographical ode to his time in The Doors, much of the book reads like a love story about Morrison. “Well, of course. It was. We were making music together. We were at UCLA. ” And what about referring to himself as Apollo to Morrison’s Dionysus? “Oh, I don’t say that any more, ” he replies gently. “I said it twenty-five years ago. I’ve grown up. I’m only a mortal human being. Jim is an icon; I play the keyboards. That’s what I do, play the keyboards in a band called The Doors. ”.

The Doors: Break On Thru - A Celebration Of Ray Manzarek movie maker. As a teenager, I stuck a picture of Ray Manzarek on my school pencil tin – no other musician could make you feel like you were just one small step from wildness Hello, I love you … Ray Manzarek of the Doors. Photograph: Jan Persson/Redferns I arrived at the music of the Doors, and therefore the genius of Ray Manzarek, in rather circuitous fashion. I was 13, and at that time quite besotted with David Lynch's excellently peculiar TV series Twin Peaks. It stirred in me a passion for twinsets and fir trees, cherry pie and strong coffee, and naturally when I learned that my beloved Agent Cooper (Kyle MacLachlan) would be playing Manzarek in Oliver Stone's biopic of the band, I decided that I absolutely had to see the film. Some weeks later, having failed on numerous occasions to convince the cinema staff that I was old enough to buy a ticket for an 18-certified movie, I conceded defeat and bought the soundtrack instead. People can get a little sniffy about soundtrack compilations, but at that malleable age this proved a strangely influential album for me. It introduced me to the Velvet Underground, who remain one of my favourite bands, and of course it was also my first immersion in the music of the Doors themselves. Reading this on mobile? Watch the Doors performing Light My Fire It was an awakening of sorts – to my young ears this was music that sounded otherworldly and full-grown. Unlike the neat, chirpy pop songs I heard on the radio, it sprawled louchely from the speakers. It wasn't the spreadeagled sound of the Stone Roses exactly, though to my mind then it shared a similar rambling expansiveness. Instead there was an intent to it, something blistering beneath. I would listen to Light My Fire and Riders on the Storm, to The End, Break On Through (To the Other Side) and Love Her Madly, and wonder at this music's ability to transport the listener, at where and how it had begun and where and when it would end. In the months that followed I accumulated a few facts about the Doors – that Jim Morrison met Ray Manzarek at UCLA, that they would run into one another some while later in Venice Beach and form a band, that Manzarek then met drummer John Densmore and guitarist Robby Krieger at a lecture on transcendental meditation. And I liked these stories; they fed this music's delicious sense of otherness. I liked the idea of these songs being spawned on an oceanfront halfway around the world, of cinematography courses and lectures about meditation. I liked the sound of a Vox Continental combo organ. Reading this on mobile? Watch the Doors performing When The Music's Over While I understood the charm of Jim Morrison's snake-hipped crooning, for me the seductiveness of the Doors always lay in the keys: the way they twinkled beneath Riders on the Storm, the constant nag of them in the side of LA Woman, the near-spasm of them at the start of When the Music's Over. There was always something so physical and commanding about their presence. It seemed to me then that the pulse beneath these songs was always Manzarek's playing, that those keys somehow embodied all the storms and strangeness, the fire and love, the other side of these songs. It was the keys that made you feel as if you were always on the cusp of something: the strange outsider trying to set the night on fire, loving madly, riding that storm; it was the keys that made you feel you were occupying that teetering space on the edge of society, the brink of insanity, one step from wildness, from succumbing; that you were hovering somewhere between a threat and a thrill. And so to hear Manzarek play always summoned in me a similar feeling to all those other early adolescent adventures. It was the sound of car rides with boys and warm beer in bus stops. It was a stomach flip, a flutter in the chest, the veins rushed with blood. I felt charged by the danger of it, the glowering lust of this music. Reading this on mobile? Listen to Love Street I remember I had a particular passion for Love Street. Released as a B-side in 1968, it was inspired by the road in Laurel Canyon where Morrison lived with his girlfriend, and where he would sit on their balcony watching the hippies walk by. I liked the sweet surface simplicity of it, the lolloping joy of a house and a garden and a girl and "la la la, la la la la". And then it was the keys that seemed to twist it, to provide an unexpected undercurrent that drew your attention to the robes and monkeys, the lazy diamond-studded flunkies. And so the picture shifted, from easy domesticity to something more psychedelic. And into that open-hearted, wide-world curiosity of "I would like to see what happens" my adolescent mind wandered. On the inside of my school pencil tin I had stuck a picture of Agent Cooper. Now beside him I added another of Ray Manzarek.

Edit Storyline Break On Thru: A Celebration of Ray Manzarek and The Doors is a concert documentary from a 2016 all-star performance in Los Angeles that John Densmore and Robby Krieger, the two surviving members of The Doors, developed to celebrate what would have been Manzarek's 70th birthday. As well as the all star concert there's never before seen footage from The Doors archives and new Interviews from Densmore and Krieger. It's a one of a kind documentary about a very special person and a legendary rock band. Written by The Doors Music Company Plot Summary | Add Synopsis Details Release Date: 28 April 2018 (USA) See more  » Also Known As: The Doors: Break On Thru - A Celebration Of Ray Manzarek Company Credits Technical Specs See full technical specs  ».

Special Screenings A number of special screenings or events take place at the Riverview. Please be aware that there may be a different admission price or policy in effect for these screenings. Our regular film programming schedule runs from Friday-Thursday. Because of an occasional special event, our schedule can change from day to day, so it is best to check the schedule for the particular day you plan to attend. Buy Tickets THE DOORS: BREAK ON THRU –A CELEBRATION OF RAY MANZAREK The Doors: Break on Thru captures a 2016 all-star tribute concert for co-founder and keyboardist of The Doors, Ray Manzarek. The film Features captivating musical performances alongside rare archival footage of the band. Wednesday, February 12 at 7:00pm. Admission is $10 in advance or $12 at the door. The 2020 Oscar Nominated Documentary Shorts The 2020 Oscar Nominated Documentary Shorts begin on Friday, January 31st. Admission is $7 or $5 for Students/Seniors. More information will be available after the nominations are announced.

Something happens to him in Paris Someone got him bye Jim missed sold. Some ppl are meant to live long enough to burn out and fade away, others are meant to hit the ground and explode into a million beautiful rays of light. And that's what Jim Morrison did. Thank you Mr. Mojo Risin. The doors: break on thru - a celebration of ray manzarek movie full.

Story highlights The Doors' founding keyboardist Ray Manzarek has died Manzarek, 74, was suffering from bile duct cancer The musician "went for performance" as a producer, bassist of punk band X said in 2004 The Doors' founding keyboardist, Ray Manzarek, died in Germany Monday after a long fight with cancer, his publicist said in a statement. He was 74. The artist had been diagnosed with bile duct cancer. The Doors formed in 1965 after Manzarek happened to meet Jim Morrison on California's Venice Beach. The legendary rock group went on to sell 100 million albums worldwide, establishing five multiplatinum discs in the U. S. Morrison died in 1971, but Manzarek carried on The Doors' legacy, continuing to work as a musician and an author. "I was deeply saddened to hear about the passing of my friend and bandmate Ray Manzarek today, " said Doors guitarist Robby Krieger. "I'm just glad to have been able to have played Doors songs with him for the last decade. Ray was a huge part of my life and I will always miss him. " The band famously defied Ed Sullivan's request that they not sing the lyric "higher" when they performed "Light My Fire" on his show in 1969. A show producer approached them in the dressing room shortly before they were to perform, Manzarek recalled in an interview with CNN in 2002. Manzarek remembers the band publicly agreeing like choirboys. " 'Yes, sir, ' we told him, " he recalls. "'Whatever you say, sir. We'll change. ' (The producer) looked at Jim and said, 'You're the poet. Think of something else -- 'wire, ' 'flyer. ' " Then the Doors went out and did the song exactly as they always did. Sullivan was so furious he didn't even shake their hands. Manzarek went on to produce the Los Angeles punk band X. Bassist John Doe said the band learned a lot from him. "To have someone like Ray -- like rock 'n' roll royalty -- embrace what we do, it was great for our confidence, " Doe told CNN in a 2004 interview. "In the studio, he knew what to try to do. He went for performance. He was smart enough to realize that the band had the arrangements all worked out. " Manzarek is survived by his brothers Rick and James, his wife Dorothy, his son Pablo, and three grandchildren. Instead of flowers, the family's asked that a donation be made in Manzarek's name at.

Amazing how they complimented each others performance! PF is simply the best band ever! Sad Waters left but the rest kept on doing their 'thing' creating legendary music! RIP Syd and Richard. The Doors: Break On Thru - A Celebration Of Ray Manzarek movie page. This is live? Holy shit. Jims voice knows no boundaries. And that solo was intense. Greatest band ever. And to think it happened by chance when Jim ran into Ray on Venice Beach in 65. And that Jim was still there anyway instead of moving away like he planned. Amazing.

The doors: break on thru - a celebration of ray manzarek movies

The doors: break on thru - a celebration of ray manzarek movie trailer. The doors: break on thru - a celebration of ray manzarek movie lyrics. The Doors: Break On Thru - A Celebration Of Ray Manzarek movie page imdb. Ha muerto un ídolo, pero ha nacido una leyenda! Gracias por tu música Ray Manzarek! R.I.P. The doors: break on thru - a celebration of ray manzarek movie online.

I think Ray mightve opened his doors before this interview. The Doors  weren't just  Jim Morrison 's sexy, sweaty swagger and occasionally mediocre poetry. They were also late-'60s musical adventurers, especially keyboardist Ray Manzarek. In fact, most Doors songs are instantly identifiable not by Morrison's somewhat incomprehensible ramblings but by Manzarek's carnivalesque keys and classical-meets-jazz piano fills. He was an essential part of the band, perhaps the group's most important musical element, because he also supplied their songs with keyboard bass: Remember, the Doors didn't have a bass player. Our list of the Top 10 Ray Manzarek Doors Songs focuses on the tracks where his rhythmic riffs made all the difference. 10 "The Crystal Ship" From: 'The Doors' (1967) Like many of the songs on the Doors' debut album, "The Crystal Ship, " in addition to serving as vehicle for Morrison's cryptic poetry, doubles as a showcase for Manzarek's classically inspired piano playing. In a way, he and the other members are at their most reserved here, approaching nuanced jazz notes at times. 9 "Riders on the Storm" From: 'L. A. Woman' (1971) The Doors' last Top 40 hit, released a month before Morrison's death, is overlong and pretentious, and it verges on cocktail-jazz boredom. But Manzarek's electric piano, along with various studio sound effects, builds mood like very few of the band's other songs. "Riders on the Storm" is really a showcase for Manzarek's subtle shadings. 8 "Touch Me" From: 'The Soft Parade' (1969) The Doors' last Top 10 hit is one of their liveliest, thanks to some horns and strings that join the usually insular band on the record. Manzarek's playful keyboard riff (lifted from a Four Seasons song) sets the tone for "Touch Me, " a rare, baggage-free sex song by a band that was often weighted down by its seriousness. 7 "Back Door Man" From: 'The Doors' (1967) Like many groups from their era, the Doors wanted to be a blues band. Just check out our list of the Top 10 Ray Manzarek Songs for proof – many of the tracks are based on basic blues progressions. "Back Door Man, " written by Willie Dixon and originally recorded by the great Howlin' Wolf in 1961, is the Doors at their bluesy best. 6 "Soul Kitchen" From: 'The Doors' (1967) Manzarek's familiar organ is the first thing you hear in "Soul Kitchen, " all alone and bubbling along peacefully, and it drives the song's rhythm for its entire three and a half minutes. It's such a strong, constant presence in the song, it's almost easy to miss Robby Krieger's great blues-inspired guitar solo. The Doors' debut album was filled with great performances. This is one of the best. 5 "Break On Through (To the Other Side)" From: 'The Doors' (1967) The Doors' first single, and the opening track on their debut album, is the perfect intro to the band. All of their signature moves are there: Morrison's wild-child howls, Krieger's economic guitar runs, drummer John Densmore's steady timekeeping and Manzarek's jazzy organ fills, which feed into a swaying solo midway through the song. 4 "Love Me Two Times" From: 'Strange Days' (1967) Manzarek hauls out a harpsichord for the second single released from the band's musically rich sophomore album. His solo halfway through the song nudges Summer of Love conventions with a dose of nostalgia. The Doors played around like this throughout their career (pick any song in our list of the Top 10 Ray Manzarek Doors Songs, and you'll spot it), but "Love Me Two Times" is first-rate hippie intellectualism. 3 "Hello, I Love You" From: 'Waiting for the Sun' (1968) The band's second No. 1 hit is built on another one of Manzarek's springy keyboard riffs. This one changes course midway, as the melody steers in a different direction before trailing off at the end of the song. The playground riff that Manzarek plays, and never stops playing, is there for the entire ride. 2 "People Are Strange" From: 'Strange Days' (1967) Strange Days, the Doors' second album, is their most musically exciting LP. Manzarek eases himself into the first single, which, like other songs on the album, is based on European music-hall traditions. By the time he checks in with his piano solo, he's leading the ale-swiggin' singalong. 1 "Light My Fire" From: 'The Doors' (1967) Does any song inspire air-keyboard soloing as much as "Light My Fire"? The Doors' breakthrough song, a No. 1 hit, charges on for more than seven minutes, and not a second of it goes by without Manzarek's glorious keyboard riff pulling you along. If Jimi Hendrix  led thousands of kids to pick up guitars, then surely Manzarek's work on "Light My Fire" did the same for kids with pianos and organs. "Light My Fire" made organs cool.

Robbie was such the perfect foil for Morrison to bounce his poetic lyrics off of. So so underrated but honestly Doors could never have had lift off without his spirit and sound. Why does Ray's keyboard sound like summer to me ? It just makes me think of summertime. I hear that organ & I get images of heat rising from a roadway from a distance. The same way that Ian Anderson's flute sounds like fall/autumn to me. Images of colorful leaves fluttering & spinning to the ground. Its to sad that i cant be there because im far away from USA. Information Site Rules - Requests - Changelog Top Users You can now use or to access the site! Protect Yourself & Support the Site Latest Comments Dogman's Rabies BellaMia1: This movie was boring me, until the last 20mins of it. I'm not a man, but I felt phantom p... I Am Mother RoboPhone: PLEASE Edit your Comment and Select the **Contains Spoilers** Checkbox, so you don't ruin... Top Comments Underwater Frac: Contains spoilers. Click to show. watchable yes, but for the stupid BET blasting thro. Liberace's Ghost said it true. But I... PLEASE Edit your Comment and Select the **Contains Spoilers** Checkbox, so you don;t ruin...

Jim Morrison's deep, bellowing baritone was the voice of the Doors, but it was Ray Manzarek 's signature Vox Continetal organ playing that was the heart and soul of the band's sound. The music is over now for Manzarek, who died this week at the age of 74, but it will always live on thanks to his fans -- many of whom are musicians themselves. The Doors and Manzarek had an undeniable influence on many indie and alt-rock acts, and the following 10 bands will help pass it on to future generations. Joy Division Don't hear hints of the Doors' blues-soaked psychedelia in the bleak industrial clamor of Joy Division? Not only was Ian Curtis' deep baritone often compared to Morrison's, but Ian regularly cited the Doors as one of the band's formative influences. The parallels go even further, with bassist Peter Hook's distinctive mid-range bass playing often bringing to mind Manzaeck's single-note organ. Check out 'New Dawn Fades' off 1979's 'Unknown Pleasures' below -- and then DJ Rudec's mash-up of 'Fades' with the Doors' 'Break On Through' here. The Dandy Warhols Ray Manzarek may not have been the first rocker to play bass lines on an organ, but his signature sound was certainly rare at the time -- and still isn't exactly a common move today. That approach wasn't lost on the Dandy Warhols, who employ Zia McCabe to play the low end on keyboards. Think it's a coincidence? Not likely, especially considering the Warhols dug the Doors enough to tweet about Ray's death. On 'There Is Only This Time' off 2005's 'Odditorium or Warlords of Mars, ' the Warhols offer up a slightly brighter take on the Doors' more foreboding work. Iggy Pop Iggy Pop was barely out of his teens when he saw the Doors perform in 1967, and the show permanently changed his life. The music pulled Pop in, but it was more Morrison's confrontational stage presence that had an immediate and obvious impact on the future Stooges singer. His take-away from the gig? "If this guy can do it, I can do it" -- which he meant in the most reverential of ways. Patti Smith Punk priestess Patti Smith had a similar epiphany as Iggy when she saw the Doors in her younger days -- although she almost took it as a personal challenge. "I was sitting there thinking, 'I could do that. I felt this strange kinship, I don't know why I thought that... I was just a girl from Jersey. " Years later, Smith appeared on Manzarek's 1975 solo album 'The Whole Thing Started with Rock and Roll Now it's Out of Control' and has been known to turn in the occasional Doors cover. Below, listen to her belt out a version  of 'Crystal Ship. ' Mazzy Star Mazzy Star's 'So Tonight That I Might See, ' the final track off their album of the same name, may be the most Doors-like track on this entire list -- until, of course, singer Hope Sandoval's hauntingly breathless voice comes in. But even then, her delivery carries a Morrison-like cadence that helps this epic jam of 'The End'-tinged psychedelia become a strong contender for best '90s song the Doors didn't write (but totally could have). Echo and the Bunnymen This one may be obvious, but that doesn't take anything away from Echo and the Bunnymen's spectacular music. The British band's moody and dark sound certainly draws from the Doors, but it's their dead-on cover of 'People Are Strange, ' which appeared on the soundtrack to cult '80s flick 'The Lost Boys, ' that seals the deal. The Wooden Shjips We can't be the only ones who think San Francisco psych rockers the Wooden Shjips (that's pronounced "ships") seriously sound like the Doors at some choice moments. Witness 'We Ask You To Ride, ' the lead single and first track from their stellar self-titled 2007 debut, which comes across as a loose, lively outtake from the Doors' 'In Concert' bootleg, complete with the feedback-soaked wall of sound assault the Doors sometimes busted out when onstage. The Brian Jonestown Massacre Another band with San Francisco roots, the Brian Jonestown Massacre are known for their creative re-imagining of the music of a wide swath of rock icons, from classic legends like Dylan and the Stones to contemporary greats like My Bloody Valentine and Yo La Tengo. But schizo-shamanic frontman Anton Newcombe cut his young musical teeth listening to the Doors, and here, BJM turn in a rare, straight-up cover of 'Five to One. ' The Strokes "Put simply, because of the Doors, I chose music as my life path, " Strokes frontman Julian Casablancas wrote in the intro to an interview he conducted with Manzarek and Robert Krieger before the release of the Doors documentary 'Mojo Risin: The Making Of L. A. Woman. ' "I was actually drawn by the instrumentation primarily... as musicians I found them to be unique and masterful. " That influence can be heard frequently in the Strokes' music, including obvious shades of 'Touch Me' in their first single, 'Last Nite. ' Nirvana We're not totally sure what Nirvana thought of the Doors, to be honest -- considering their staunch promotion of the punk ethos, they may very well have regarded the band as an example of the ridiculousness of overwrought "rock royalty" -- but they did pay attention long enough to learn how to cover 'The End' (kind of). And quite an interesting cover it is, with Krist Novoselic seemingly changing the lyrics as he goes, spinning a ridiculous tale that you really just have to hear to believe. OK, so Nirvana probably didn't admire the Doors quite like the rest of these bands, but they certainly were influenced by them. Check out 'The End' below and then try to tell us their sense of humor didn't just grow three sizes.

The doors: break on thru - a celebration of ray manzarek movie list. Ray's contribution made the Doors unique his keyboard virtuosity unusual for the time sadly missed and never repeated. The Doors have announced a new concert documentary to honor the legacy of late keyboardist Ray Manzarek. "The Doors: Break on Thru – A Celebration of Ray Manzarek" will premiere in theaters around the world in a one-night only event on February 12th, which would have been Manzarek’s birthday. Featured Channel Gone But Not Forgotten In remembrance of classic rockers who've gone before us... More Channels From New concert documentary on The Doors will honor keyboardist Ray Manzarek In Memoriam 500 songs from artists whose absence is as profound as their contributions Hey Hey We're the '60s! The sound of classic Top 40 AM radio Classic Rock '64-'71 Classic rock post British Invasion and Woodstock Classic Rock Light Lighter classic rock ideal for the office or background listening Adult Rock More laid-back than Alternative, more eclectic than Classic Rock We're an American Band! Classic R-O-C-K from the U-S-A!! Live Classic Rock Classic rock concert recordings Classic Rock Road Trips Great classic rock for driving. Tune in and start 'er up! Legendary Voices of Classic Rock The greatest vocal performances in Classic Rock history Rock 'n Stereo The glory days of AOR radio, playing everything from America and Earth Wind & Fire to ZZ Top Classic Rock Tailgate Party Sunshine, drinks, brats, football, and Classic Rock for the party! Five O'Clock Classic Rock Upbeat Classic rock for when the workday is over (or you wish it were! ).

The Doors: Break On Thru - A Celebration Of Ray Manzarek movie. The Doors: Break On Thru - A Celebration Of Ray Manzarek movie reviews. The Doors founder and keyboardist passes away at 74. Manzarek passed away Monday at around 8. 30 at the RoMed Clinic in Rosenheim, Germany. The musician had fought a long battle with bile duct cancer, but died with his wife Dorothy and brothers Rick and James by his co-formed The Doors in 1965 after a chance encounter on a Venice Beach with poet Jim Morrison. The band went on to become one of the biggest selling, and most controversial, of the 1960s – moving more than 100 million units worldwide and earning 19 Gold, 14 Platinum and five multi-Platinum albums in the U. S. alone. Following Morrison’s death in 1971, Manzarek went on to enjoy a successful solo career, both as a Grammy-nominated recording artist and a bestselling author. In collaboration with Robby Krieger in 2002 he re-ignited his touring career. Krieger described himself as “deeply saddened” by the news. Adding that he was “just glad to have been able to have played Doors songs with him for the last decade. Ray was a huge part of my life and I will always miss him”. Manzarek is survived by his wife Dorothy, son Pablo and his three grandchildren: Noah, Apollo and Camille. Rather than flowers, well-wishers are asked to make a donation in Ray Manzarek’s name to Funeral arrangements are pending, and the family asks that their privacy be respected.

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World Famous Lover (Telugu) An amalgamation of four different love stories: Seenayya and Suvarna, a middle-class couple in a small town; Gautham, an uber-cool youngster romancing in the streets of Paris with his girlfriend Iza,... First Lady Can a woman not married to the president, run for First Lady? In this modern day fairytale when the President dies in office, his widow agrees to help the Vice President in his run for the... Naan Sirithal Gandhi is an IT guy who suffers from Pseudobulbar affect, and he uncontrollably laughs during stressful and tension moments. So, he is taken to a Shiva temple and tied with a holy ornament, which is... The Closet When a tragic accident leaves Sang-won (HA Jung-woo) and his daughter Ina (HEO Yul) without their wife and mother, he moves to a new home to restore his relationship with his daughter. Despite all... Spy Intervention When Corey Gage, the world's greatest spy, suddenly meets the woman of his dreams, he decides to abandon his adventurous existence and settles for the security of suburbia - a quaint existence he's... Thief of Baghdad (Lees Baghdad) Oh My Kadavule When you think marrying your best friend means a 'happily ever-after' but it turns out to be just the reverse.... Varane Avashyamund Varane Avashyamundu is a story of a mother and a daughter settled in Chennai. Neena, the mother is a French teacher and a single parent to her daughter Nikitha (Nikki). Nikki, who works in a private... Brown Paper Bag The year is 1942, and Archie Glass Is trying to get into Hollywood. His chance comes as he is offered a job: Find a young white movie star before the press reports that she is missing and he will... Impossible Monsters Dr. Rich Freeman (Tony Award winner Santino Fontana), an ambitious and well-liked psychology professor, pursues a sleep study with a focus on nightmares, dreams, and sleep paralysis - the success of... L'innocente (1976) Gabrielle d'Annunzio's passionate novel is brought to life in the final masterpiece from acclaimed director Luchino Visconti. In late-nineteenth century Italy, Tullio (Giancarlo Giannini), an... Magic Anthony Hopkins plays Corky, a schizophrenic ventriloquist who believes his dummy Fats isabout to come alive and take over the act. After Corky kills his manager, believing that thedummy has... Enter the Fat Dragon Fallon Zhu (Donnie Yen) is a Hong Kong police officer an agile fighter with a high crime detection rate. Dumped by his fiancée Chloe (Niki Chow), Fallon was heartbroken and start indulging in food.... After Parkland Millions of parents wave their children into school, placing their trust in the sanctity of a classroom. For much of the country, school shootings remain distant, seen as tragedies that plague... The Cordillera of Dreams In The Cordillera of Dreams, Guzmán centers on the imposing landscape of the Andes, which run the length of the South American country's eastern border. At once protective and isolating, magisterial... The Doors: Break On Thru - A Celebration Of Ray Manzarek THE DOORS: BREAK ON THRU - A CELEBRATION OF RAY MANZAREK is a hybrid concert and documentary capturing a 2016 performance in Los Angeles, CA by surviving Doors members John Densmore and Robby Krieger...

Enter the characters you see below Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies. Type the characters you see in this image: Try different image Conditions of Use Privacy Policy © 1996-2014,, Inc. or its affiliates. When my bestfriend Mike overdosed I was one of only 2 friends to see his body besides his family. I felt some closure saying goodbye since I really loved him. I know it hurt Ray not seeing him one last time. Put everything you know about Morrison / The Doors, throw it in a blender, remove and piece it together in a somewhat linear fashion, squeeze it down to 2 hours and 20 minutes, add BS and you get this.

Break On Through - Daryl Hall with Robby Krieger & Ray Manzarek of The Doors - video dailymotion.

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